classicalmusic.gr

Alexandros Charkiolakis

Musicologist

Alexander Charkiolakis, musicologist and Director of the The Friends of Music Society, draws inspiration for his topics from the Greek and international music scene and meets the readers of classicalmusic.gr once a week, every Thursday.

Culture Letter #28

Alexandros Charkiolakis

Musicologist

So, 2026 is here (could it be any other way?), and with it, many things have arrived quickly. I don’t want to be a pessimist, but the initial signs don’t appear positive. What wars, what upheavals, what dangerous situations are unfolding, although – to be honest – some of what’s happening might even evolve positively (see Iran).

And where does music stand in all of this? Music probably narrates stories and highlights situations. I haven’t read anything these days about the soundtrack to all these changes/shifts/upheavals, but it must exist. For instance, these days I’m thinking about a young woman who came to my office about ten years ago when I was living in Istanbul because, as she told me, she wanted to attend the school where I worked and study music. When I asked her why she decided to come to Istanbul to study music, she told me that “I want to study opera, but in my country, such a thing is not allowed.” Of course, my immediate (I hope not rude) question was “but where are you from?” to which I received the answer that she was from Iran, and there, women are forbidden to sing in public. This made such a strong impression on me because I hadn’t imagined that such a thing was true, and that there was no opera in Iran when in so many other countries with similar characteristics (as I thought, that is…) there are operas where women also perform. Alas, however! Opera ended with the Islamic revolution, and there are only a few classical music concerts held in Iran, but certainly no opera.

Ultimately, I don’t know what happened to the young woman, even though I stayed in Istanbul for another two years and was on all the admission committees for new students. What is certain is that she didn’t come to us to study. I hope she did, though. I also hope that during these difficult days, she is safe and sees a glimmer of freedom in what is happening, despite the reactions of the obscurantist regime that has seized control and plunged a great country into the medieval abyss of religious terrorism. I hope that one of the first things to happen, if and when there is a clear overthrow of this despotic regime, will be a concert featuring Beethoven’s 9th Symphony, the work which, in my opinion, promotes freedom and brotherhood beyond any national and religious confines.

Pari Samar, Iranian opera singer in Carmen in 1975

Alexandros Charkiolakis

Musicologist

Alexander Charkiolakis, musicologist and Director of the The Friends of Music Society, draws inspiration for his topics from the Greek and international music scene and meets the readers of classicalmusic.gr once a week, every Thursday.

Scroll to Top

Newsletter

Subscribe to the classicalmusic.gr weekly newsletter. It’s sent every Friday and features our latest news!